redoing tutorials a bit

1 files changed, 24 insertions, 4 deletions

diff --git a/maximilian_examples/5.FM1.cpp b/maximilian_examples/5.FM1.cpp
index c734dcf..14f6593 100755
--- a/maximilian_examples/5.FM1.cpp
+++ b/maximilian_examples/5.FM1.cpp
@@ -1,14 +1,34 @@
+// One way of thinking about FM synthesis is to see it as vibrato.
+// You make a pitch, then vary it up and down at some rate.
+// You can change the speed of the pitch variation (modulation frequency), and also the amount of variation (modulation index).
+// In FM, usually only one of the waveforms - the carrier that provides the initial pitch - is sent to the output.
+// The frequency of the the carrier wave is continually adjusted at a rate equal to the frequency of the second wave (the modulator).
+// So at any given point in time, the frequency of the carrier can increase by an amount equal to the current amp of the modulator.
+// This has some interesting effects.
+
 #include "maximilian.h"
 
 maxiOsc mySine,myOtherSine;//Two oscillators
 
 
 void setup() {//some inits
-	//nothing to go here this time	
+    //nothing to go here this time
 }
 
 void play(double *output) {
-	
-	*output=mySine.sinewave(myOtherSine.sinewave(1)*440);
-	
+    
+    // In this example, the 'myOtherSine.sinewave' is at an amplitude of 1, it's original amplitude.
+    // This is pretty simple and not too useful.
+    //output[0]=mySine.sinewave(440*myOtherSine.sinewave(1));
+    
+    // Perhaps you should comment out the above line and uncomment the below one instead
+    // It shows how the frequency of the carrier is altered by ADDING a second waveform to its frequency value.
+    // The carrier frequency is 440, and the modulation frequency is 1.
+    // It also shows how the modulation index works. In this case the modulation index is 100
+    // Try adjusting the modolation index. Also, try altering the modulation frequency.
+    output[0]=mySine.sinewave(440+(myOtherSine.sinewave(1)*100));
+    
 }
+
+// In complex FM systems you can have lots of modulators stacked together in interesting ways, and theoretically this can make any sound.
+// John Chowning is the guy you probably want to talk to about that.
\ No newline at end of file